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Abstract -- Bringing Museums On Line
U2: Museum
Bringing Museums On Line
- Mannoni, Bruno
( mannoni@culture.fr)
Abstract
In most European countries an important effort has been done, often
during centuries, to preserve, describe and index the cultural
heritage. More recently, many public authorities or private entities
have undertaken to digitalise a more or less important part of this
heritage. Digitalisation means creating databases containing images,
reference documents, factual data, sounds, describing as precisely as
possible the items constituing the cultural heritage. Paintings,
sculptures, monuments, ancient manuscript, music instruments,
historical furniture, art photograph, etc. can be described by digital
information, thus offering potentially to a large population of users
an easy access to our cultural heritage. This digitalisation effort
will have to be carried-on for several years to reach some
completeness. Very large information bases containing millions of
images and documents are rapidly going to be constituted. Users will
ned a transparent and easy access to this information wherever it will
be located. It is therefore important to design information system
that will make possible effective management of these huge information
banks, easy retrieval of the relevant information, that will address
the needs of the professional users and that will facilitate the
realisation of interactive presentations for the gneral public. To
achieve a distributed multimedia information system,
since 1992 the ministry of culture in France is setting up a
communication network (based on the Internet suite of protocols)
linking together 80 sites and 4.000 micro-computers all over
France.
Being the first administration in France connected to the Internet (since
June 1992) and having full IP connectivity since January 1993, the ministry
of culture is experimenting new services prefigurating the use of electronical
highways in the future.
The major concern is the contents of the information which will be available.
In 1994 the head of museums decided to set up an imaginary exhibition on
the Internet: "The age of enlightenment in the paintings of France's national
museums." (http://dmf.culture.fr/files/imaginary_exhibition.html).
A panorama of XVIIIth-century French painting is presented in this exhibition
through the works of one hundred selected artists. In addition to the pictorial
world, the history, music, literature and science of the period are recalled in
the background to these occasionally little-known works from eighteen museums
all over France.
The experience was very conclusive, but questions are still pending on
the legal and commercial sides. Nevertheless it has been decided to
set up more exhibitions this year, to make them available on the
Internet but also on cable TV, and to speed up the numerisation
process in France.
The french ministry of culture is also conducting with INRIA a
European R&D; program concerning multi-media interfaces and database
management facing a distributed virtual world wide museums.
These experiments will be discussed at the G7 meeting in Brussels
(February 1995).
Work is underway to integrate the W3 technology into the documentary
research tools used by the museums. The first demonstration has been
made at the MILIA in Cannes in January 1995.